Vancouver Magazine
Bennies, Bubbly and Bites: Easter Weekend in Vancouver
April’s Best Food Events in Vancouver—Where to Dine This Month
EatWild Asks a Big Question: Is Hunting the Most Ethical Thing a Meat Eater Can Do?
The Wine List: Put This Unassuming Italian Wine Region On Your Radar
6 Very Delicious Zero-Proof Cocktails to Try Next
Hit These Hot Happy Hours Before March is Over
Capture Photography Festival Returns to Vancouver
Doxa Documentary Film Festival Unveils its 25th Anniversary Lineup
Protected: Casino.org Helps B.C. Players Navigate Online Casinos with Confidence
5 Reasons to Visit Osoyoos This Spring
Indulge in a Taste of French Polynesia
Beyond the Beach: The Islands of Tahiti Are an Adventurer’s Dream
Real Weddings: This Vancouver Cemetery Is a Surprisingly Chic Wedding Venue
The Haul: Nettwerk Music Co-Founder Mark Jowett’s Magic Pen and Favourite Japanese Sneakers
15 Small, Independent Vancouver Brands to Shop Instead of the Shein Pop-Up
In-person craft fairs are a no-go this year, which is a major bummer. We’re really missing those hand-poured candles, knitted goods and weird little trinkets you can’t find anywhere else (and some very talented artisans are missing our cash). The Circle Craft Market is encouraging Vancouverites to shop “within their circle,” aka within 50 kilometres of home. You can search their site for local makers—we’re loving ceramics artist Yookyoung Yong’s gorgeous clay pieces.
This is a showcase of the first annual MESH prize, with winners who were challenged to comment on “how physicality intertwines with critical meaning at the dawn of an age of virtual reality.” In other words, the relationship between the physical and digital— very apt for a time when everything’s moved online. Expect black-and-white, poetically abstracted photos (like the above) from Izabella Provan and tactile works in shades of red by Gregory Kaplowitz.
The Capilano Suspension Bridge is slated to open again tomorrow for Canyon Lights, the annual sparklefication of the park (that’s the scientific term, we believe). Remember to wear your mask, stay six feet apart and take the obligatory 924,857 photos that never capture the real-life magic.
The COVID-era digital premiere of this opera is actually not far off the original: it was specifically composed for a Christmas Eve television broadcast in 1951. The Vancouver Opera’s Leslie Dala conducts this show (and it’s a family affair—his son, Andreas Dala, plays Amahl).
Alyssa Hirose is a Vancouver-based writer, editor, illustrator and comic artist. Her work has been featured in Vancouver magazine, Western Living, BCBusiness, Avenue, Serviette, Geist, BCLiving, Nuvo, Montecristo, The Georgia Straight and more. Her beats are food, travel, arts and culture, style, interior design and anything dog-related. She publishes a daily autobiographical comic on Instagram at @hialyssacomics.
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