Vancouver Magazine
February’s Best Food Events in Vancouver—Where to Dine This Month
The Review: It Gets Emotional at Chef Chanthy Yen’s Touk
Sliding Doors: Restaurant Openings and Closures this Winter 2026
These Are the Wines That Blew Us Away Last Year
Your Booze-Free Guide to Vancouver’s Best Sips in 2026
The Best Beverages Our Editors Drank in 2025
So Fun City Calendar: 18 Things to Do in Vancouver in February 2026
Feeling Lucky: 6 Ways to Celebrate the 2026 Lunar New Year in Greater Vancouver
Protected: Family Matters: Building Brighter Tomorrows in Vancouver
Indulge in a Taste of French Polynesia
Beyond the Beach: The Islands of Tahiti Are an Adventurer’s Dream
Snowmobiles and Fondue Might Just Be the Perfect Whistler Night Out
Audi Elevates the Compact Luxury SUV
Charmed, I’m Sure: Where to Find Unique Charms for Your Necklace and Bracelet in Vancouver
Personal Space: Alison Mazurek and Family Know How to Think Small
Sponsored Content
It’s pretty tough to be in a bad mood at a dance party, and Vancouver-based queer theatre company Theatrecorps is bringing all those good vibes to the stage this week. Co-artistic directors Alexa Fraser and Matthew Winter have focused the show on all that’s uplifting, including pop tunes, projected music videos à la ’90s-era MuchMusic Countdown, and a whole lot of pink (the stage is made up of carpets, curtains and props in a monochromatic, rosy hue).
“There’s a lot of excellent work that explores traumatic events that inform queer identity—but we need more art that celebrates queerness,” says Winter. “When this piece started to form, joy was at the forefront,” he continues. The show, called Gestural Symphony No.1, is on from June 23 to 26 at East Van’s WhatLab.
Credit: Simone Chnarakis
Gestural Symphony No.1 started with design, which is unusual in the industry. “I think design is often treated as an afterthought and we want to challenge that perspective,” says Fraser. So the pretty pink set, the visuals and the sounds came first, and the “story,” in the traditional sense, grew from that. That said, there’s no text: Winter describes the show as a “beautiful lush set, dance pop music and a lot of clown elements.” Theatrecorps calls this “an audition” of sorts for their company: the show is called “No.1” because they hope to collaborate with other artists on more gestural symphonies in the future. “We would love to help people innovate their design,” says Fraser.
Theatrecorps’s entire team identifies as queer, so their work naturally is, too—they refer to Gestural Symphony No.1 as a “gay fantasia.” Queer or not, there’s something about pop music that sparks connection, and it’s that camaraderie that the show aims to inspire. “Going to queer clubs and dancing to popular music is so exciting, and it’s a form of community building,” says Winter.
“Our hope is that at the end, everyone wants to go out and go to a dance party,” says Fraser.
From Theatrecorps Part of WhatLab’s The Deep End Residency Program June 23-26 Tickets at whatlab.ca
Alyssa Hirose is a Vancouver-based writer, editor, illustrator and comic artist. Her work has been featured in Vancouver magazine, Western Living, BCBusiness, Avenue, Serviette, Geist, BCLiving, Nuvo, Montecristo, The Georgia Straight and more. Her beats are food, travel, arts and culture, style, interior design and anything dog-related. She publishes a daily autobiographical comic on Instagram at @hialyssacomics.
Get the latest headlines delivered to your inbox 3 times a week, and you’ll be entered to win a Nanoleaf Renter Bundle, which includes 1 x Smart Multicolor Floor Lamp and 1 x Smart Multicolor Lightstrip.
These lights have customizable colours, can react to the beat or your music and can be controlled through an app. Prize value is $200 CAD.
Each newsletter subscription = 1 entry. Giveaway closes February 28. 2026. The winner will be contacted by an @canadawide.com email. The contest is only open to Canadian residents, excluding Quebec.