Vancouver Magazine
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Get a Slice of This! 3 Tips for Hosting the Best Family Pizza Night
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5 Winemaker Holiday Hacks Direct from Nk’Mip Cellars
The Best (Actually Thoughtful) Bottles of Wine to Gift This Year
Breaking: Vancouver Cocktail Week Will Return for a Fifth Year in March
Fairgrounds, Toronto’s Hippest Pickleball Club, Just Landed in North Van
Vancouver’s Nonprofits Were Getting Priced Out—This Building Changed That
Vancouver International Black Film Festival Returns for a 5th Year
Snowmobiles and Fondue Might Just Be the Perfect Whistler Night Out
I Tried It: Bioluminescent Kayaking on the Sunshine Coast
Why Osoyoos Is a Must-Visit in the Fall
Vancouver Designer Allison Dunne Weaves Art, Philosophy and Humour Into Dunne Cliff Knitwear
The Haul: Photographer Donnel Garcia Stocks Up on Oversized Sweaters and Tibetan Incense
The Vanmag Wish Book: What 14 Interesting Vancouverites Want for Christmas
Dancehall-inspired DJ loops, a burlesque pole, and scorching subject matter—get ready to be captivated and challenged by She, Mami Wata and The Pussy Witchhunt. This multidisciplinary show is written and performed by Jamaican-Canadian D’bi Young Anitafrika, a triple Dora award-winner acclaimed for her artistic and activist work on and off-stage. The show is centred around black voices, and explores the complex relationships between four friends living in present-day Jamaica.
Date: January 28 – 31 8:00 p.m.Venue: Performance Works Theatre (Granville Island)Price: $39More Info: pushfestival.ca
This is the world premiere of Musqueam artist Quelemia Sparrow’s epic odyssey. Skyborn: A Land Reclamation Odyssey is rooted in the cosmology and teachings of Sparrow’s Musqueam heritage, and follows her journey by canoe to the land of the dead to recover her own lost soul. The show uses inter-Indigenous sound and puppetry and Musqueam/Sto:lo visual storytelling and animation—it’s the first show in Savage Society’s first full season of production.
Date: January 23 – February 1 (select days, see website for details)Venue: The Cultch’s Historic TheatrePrice: From $26More Info: pushfestival.ca
Three words: Tragicomic cabaret concert. Drag innovator Pearle Harbour takes years of live performance at venues across Canada and rolls them into Agit-Pop!, one crazy-cool show. Audiences can expect reenactments, renditions, and tirades, and maybe a whisper (or a scream, who knows) of politics and eco-catastrophe. The PuSh website warns you to expect to be “part of the fun,” so yeah, bring your shiest friend.
Date: February 1 8:00 p.m.Venue: Central StudiosPrice: $25More Info: pushfestival.ca
This is the opening weekend party for PuSh, and everybody who’s anybody is going to be there. Seriously: accessibility and inclusivity are major vibes in this multi-platform performance from deaf curator, advocate and artist Myles de Bastion. Music is combined with visual effects to create a one-of-a-kind concert experience that all can get funky with.
Date: January 25 8:00 p.m.Venue: Roundhouse Community Arts & Recreation CentrePrice: FreeMore Info: pushfestival.ca
Yes, that’s a talking rice cooker, thank you for asking. Cuckoo is bittersweet play about economic disaster and mental health after the market crash of 1997, but that doesn’t mean it isn’t funny—how serious can a talking rice cooker really be? Despite dark subject matter, this show delivers on hope and humour. (And maybe hunger—rice, anyone?)
Date: February 3-5 8:00 p.m.Venue: Waterfront Theatre (Granville Island)Price: $39More Info: pushfestival.ca
Alyssa Hirose is a Vancouver-based writer, editor, illustrator and comic artist. Her work has been featured in Vancouver magazine, Western Living, BCBusiness, Avenue, Serviette, Geist, BCLiving, Nuvo, Montecristo, The Georgia Straight and more. Her beats are food, travel, arts and culture, style, interior design and anything dog-related. She publishes a daily autobiographical comic on Instagram at @hialyssacomics.
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