Vancouver Magazine
Bennies, Bubbly and Bites: Easter Weekend in Vancouver
April’s Best Food Events in Vancouver—Where to Dine This Month
EatWild Asks a Big Question: Is Hunting the Most Ethical Thing a Meat Eater Can Do?
The Wine List: Put This Unassuming Italian Wine Region On Your Radar
6 Very Delicious Zero-Proof Cocktails to Try Next
Hit These Hot Happy Hours Before March is Over
Capture Photography Festival Returns to Vancouver
Doxa Documentary Film Festival Unveils its 25th Anniversary Lineup
Protected: Casino.org Helps B.C. Players Navigate Online Casinos with Confidence
5 Reasons to Visit Osoyoos This Spring
Indulge in a Taste of French Polynesia
Beyond the Beach: The Islands of Tahiti Are an Adventurer’s Dream
Real Weddings: This Vancouver Cemetery Is a Surprisingly Chic Wedding Venue
The Haul: Nettwerk Music Co-Founder Mark Jowett’s Magic Pen and Favourite Japanese Sneakers
15 Small, Independent Vancouver Brands to Shop Instead of the Shein Pop-Up
Although they became familiar to their fellow New Yorkers on-stage at punk rock’s ground zero, CBGB (alongside the likes of Ramones and Patti Smith), Blondie never aspired to cult nobility. They were a pop band, worshipful of Phil Spector girl groups and the brilliant stupidity of the Archies’ “Sugar Sugar.” (Singer Debbie Harry also had some skeletons in her closet: she was already in her 30s and had tasted failure in a dippy late-’60s folk-rock group named Wind in the Willows.) Blondie became very popular in North America, but in the U.K. they were positively massive: 10 singles in the Top 10 and four platinum albums between 1977 and ’81, and Harry became perhaps the most iconic female face in the nation since Dusty Springfield.Among her besotted British fans was young George O’Dowd, who had his own designs on pop stardom. Renaming himself Boy George, he cultivated a then-radical androgynous image and, with his group Culture Club, began achieving his dream just as Blondie’s career went into free fall. By the mid ’80s, he too had crashed and burned, but not before selling tens of millions of records and minting two karaoke mainstays, “Do You Really Want to Hurt Me” and “Karma Chameleon.”Harry has just turned 70; O’Dowd, 54. Which means it’s time for reunions (Blondie has reactivated itself many times since the ’90s) and a trawl of the casino circuit. Culture ClubFriday, July 17, 8pmHard Rock Casino Theatre (2080 United Blvd., Coquitlam)Tickets $140-$165 from TicketmasterandSaturday, July 18, 8pmRiver Rock Show Theatre (8811 River Rd., Richmond)Tickets $140 from Ticketmaster BlondieWednesday, July 22, 8pmRiver Rock Show Theatre (8811 River Rd., Richmond)Tickets $90-$105 from Ticketmaster
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